
Monday, November 24, 2008
People goin' down to the ground, buildings goin' up to the sky

Friday, October 31, 2008
Sailin' and Snugglin'
- my roommate and I made a pirate ship out of a cookie cake
- I AM The Snuggler.
Here are some photos:
Friday, October 24, 2008
If I live too long, I'm afraid I'll dieeeee
Pretty heavy, I know. But I'm watching The Darjeeling Limited right now, as a reward for my busy weekend and pounding out a five-page education paper about topics I've previously discussed right here on this blog. Within less than 24 hours I went to dinner with my friend and her father, saw a Broadway play, went backstage, went to a party, went on my first Seaport Museum training sail, attended the PhiloStream Planetarium event, and gave a speech at the second annual Broome Street Residential College Convocation. I'm. . . pooped.
I must say that the soundtrack for DL is probably my favorite movie soundtrack to date. In fact, it's the first soundtrack I've purchased since Clueless came out. I'm not afraid to admit that Clueless still might be in my top 10 favorite movies of all time and I'm even less afraid to admit - perhaps even a bit proud - that I can recite most of the dialogue unprovoked. I'm also still a bit depressed to find out with every viewing that my "man Christian is a cake-boy."
I chose this particular lyric from "Strangers" by The Kinks because it proves to be a bit ominous, and I think the topics discussed in the following paragraphs are, too. For my Conversations of the West class I am required to read a few books of the Old Testament. Tonight I dove deep into Genesis and discovered a thought lodged deep in my brain that I had never found before.
We all know the story of Noah and his ark. Here’s the abridged “Leave Your Keys in the Bowl Version” if you’re a little fuzzy:
God thinks that the world has gone to shit. The humans are stinking up the earth. God decided to drown everyone except Noah and his family. He also makes Noah round up some of every "crawling thing" that roams the land so they can procreate after the whole ordeal is over. God, in the parlance of our time, "makes it rain" for 40 days and nights, killing every living thing except those in the ark. Then, the rain stops and Noah and his family and all the animals have a big orgy and repopulate the earth.
God never touches the sea creatures. In fact, he gives them more living space. I know that the humans were the problem, but perhaps the sea creatures have something to do with evil coming back to the earth. Maybe they influenced us to be bad again, after we had just undergone a horrible, horrible punishment - mass drowning. While God was busy with all the land animals, the sea creatures were deviously rubbing their fins together, plotting their evil plans to corrupt humans. We do eat them, after all. Maybe the sea is full of mysterious evil or some other kind of even more powerful force and that's why humans are so fascinated by it. The sea has such a strange and sublime hold on humanity, and no one can quite put their flipper on it.
Also, have you seen these creepy-ass satanic-looking creatures:


I will admit, though, that some of these odd little guys are kinda cute (but then again, I've always been known to love the weird, uncanny type):

Sunday, October 19, 2008
Cossack stooge!
TESTIMONY OF A.K.
(The witness was duly sworn by the chairman.)
Mr. MCCONNEL. Miss K, will you give your full name?
Miss K. I am __________.
Mr. MCCONNEL. And your address?
Miss K. Broome Street, New York City during the academic year. Rensselaer, NY the rest of the time until I graduate from university.
The CHAIRMAN. And what university is that?
Miss K. That would be New York University, sir.
The CHAIRMAN. I see... We will get to your academic proposal in just a bit. But first, we would like to ask you a few routine questions.
Mr. MCCONNELL. Yes, Miss Kannes, how old are you and what year are you at New York University?
Miss K. I am 19 years old as of June 22nd, and I am currently in my junior year.
Mr. MCCONNEL. Where are you from originally and what kind of high school did you go to?
Miss K. I am originally from Rensselaer, New York, right across the river from Albany. I went to a small Catholic high school in Troy, New York named Catholic Central High School.
The CHAIRMAN. Are you a Christian, Miss Kannes?
Miss K. Well, no, sir. But I don’t believe that has anything to do with my proposal.
The CHAIRMAN. I think that we will be the judges of what does or does not have to do with our decision, Miss Kannes. So you attended Catholic schooling, but do not conform to the beliefs?
Miss K. Right, I do not.
Mr. MCCONNEL. And would you mind sharing with the Committee why you feel this way?
Miss K. Umm, well... I do not refute all of the beliefs; I believe that their New Testament doctrine of love could be a good thing. However, I think that one must not passively go through their lives. I believe that one must constantly question and challenge what one is taught to get to a greater truth. It is unfortunate that this religion, and most others, does not believe this. I once asked one of my theology teachers –
The CHAIRMAN. Is this relevant, Miss Kannes?
Miss K. You asked me for my reason and I was simply giving it.
The CHAIRMAN. Alright, proceed.
Miss K. I asked one of my theology teachers how it could be possible for all humans to have free will if God already knows everything we are going to do before we do it. He answered, “For those who believe, no answer is necessary. For those who do not, no answer is possible.” Ever since then I have not been a Catholic and have been a firm supporter of the use of reason over blind, submissive faith in anything. Intellectual inquiry and reason –
Mr. MCCONNEL. Next question. Do you or any members of your family have any official political ties or allegiances?
Miss K. Gentleman, I really do not understand what this has to do with the paper I want to write.
Mr. MCCONNEL. We would just like to find where your loyalties lie, nothing more. You opinions will indubitably come through in your academic labor, and it is our duty to find out just what kind of labor we may or may not be allowing to take place.
The CHAIRMAN. This information is of great interest and importance to us, Miss Kannes.
Miss K. I have a strange inkling that although we are in the land of freedom of political beliefs I may be penalized for a “wrong” answer, and I am not sure how American this Committee is turning out to be. You think you would have learned from before tha –
(The CHAIRMAN bangs gavel.)
Miss K. That’s exactly what I’m talking about.
Mr. MCCONNEL. Will you please answer the question? How were you raised politically and what is your status today?
The CHAIRMAN. We must know or we cannot let you pursue your paper.
Miss K. Fine. You’d love my parents. Blind, unquestioning Republicans through and through. My mother even has a job cleaning the Republican majority in the New York State Senate. Depending on how the election goes, she may not have this job for long. My father is a fan of McCain’s without really knowing anything about him. Your favorite type of voter, I’m sure.
The CHAIRMAN. I would be careful with your words, Miss Kannes. Your biases scream with every syllable. Please continue.
Miss K. Everyone has biases. In academia, it’s just a matter of working through them. I am, obviously, more liberal than my parents. Especially once I started going to school in New York City. I am not affiliated with any political party, however. I do not like to make commitments of that nature. I believe in the use of government to ensure freedoms. I believe that there are unnecessary laws in place that waste time, energy, and money of the government. Our system of courts is sometimes glorious, and sometimes too politically charged and bureaucratic to be fair. My father was incarcerated for seven years for a non-violent crime after such a trial, so I have strong feelings about this part of our nation’s notion of “justice.”
Mr. MCCONNEL. Fascinating.
The CHAIRMAN. It says here that you would like to research and report on the use of communism during the Federal Theater Project. Have you ever been involved in any communist or theatrical endeavors?
Miss K. What a poorly worded question. Is this some kind of trap? Have you guys ever cracked open a history book? It’s not going to work on me, sirs.
The CHAIRMAN. Alright, let me restate them as separate questions then. Have you ever been involved in any kind of theater or performing arts?
Miss K. Yes. I performed in plays all throughout high school, wrote a play that was performed by one of the classes, and once directed a children’s play. Currently I do stand-up comedy when I have time. I started doing stand-up when I was 14 years old, which led to a job seating guests and hosting the late shows at an upstate New York comedy club. I am very much a performer at heart and hope to be somehow involved in the entertainment industry at some point in my life.
Mr. MCCONNEL. Do you have any *political* material?
Miss K. Not on purpose.
The CHAIRMAN. Hmm... What is your view of communism within the Federal Theater Project?
Miss K. I have only done limited reading thus far on the subject, but I do believe that there were communists involved in the project. I am of the opinion that the political nature of the project definitely produced some passionate theater. I hope to research this matter further and report on my findings.
Mr. MCCONNEL. So you think it was alright for communists to be infiltrating our nation’s works?
Miss K. I said it made for passionate theater. I did not say I supported the communist party. That’s not what I said at all. Everyone knows that theater with a cause is always more complex and interesting and more electrically charged than a show with no heart behind it.
The CHAIRMAN. I think we’ve heard enough. We will now adjourn to deliberate on our decision about whether or not we will let you pursue your academic endeavor.
Miss K. Wait just a minute, please, Mr. Chairman. You have not let me finish my proposal. There’s more. I know you are judging me on my experiences and thoughts, but I would not be a true historian if I did not know how to set these aside.
Mr. MCCONNEL. Well, then, you think you are a true historian, then? Prove it to the Committee.
The CHAIRMAN. You can say that you will set aside your prejudices, but how can we know that you really will?
Miss K. I think of research and writing as a conversation. In order to have a fully successful and worthwhile conversation, you have to be willing and open to having your mind changed by the end of it. Sometimes it can be just as interesting to try and disprove your own opinion. And usually, through this kind of work, you can make your own argument stronger because you will catch all of its weak spots. Looking at information and documents from different angles is the only way to get everything out of them. My training as a stand-up comedian has taught me to look at situations from different perspectives. It would be unethical to prevent me from pursuing this topic just because you think I might “side” with the people you think of as “the enemies.” I cannot guarantee you what side my argument will prove, if any. I will not know what my argument is until I’ve done extensive research. And this, Mr. Chairman, is what I am seeking permission to do.
Mr. MCCONNEL. Anything else?
Miss K. That covers it, gentleman. I hope that you will consider my proposal for academic study with impartial minds and understand that it is not in my desires to disrupt what is left of our nation’s order. I sincerely think that intense studies of the past can shed more light onto the future. Thank you.
Mr. CHAIRMAN. Alright, Miss Kannes. We will see about this after lunch.
Miss K. When and how will I know of your decision?
The CHAIRMAN. We will let you know of our decision via the great United States Postal Service within 4-6 business days.
Miss K. (under her breath) Did I just order my decision from Amazon.com? I bet I have to pay for shipping...
Monday, September 29, 2008
Specal K with Ba-na-naaaas.
Friday, September 12, 2008
My aunt keeps her shoes in the oven, too!

What exactly is a Maui Taco? I'm still not sure. All I know is that the place that makes them has a basement wtih a stage and a weekly gathering of New York City's unsightly's - including myself. For that one week, at least. Perhaps more in the future, but I'm still recovering from my first experience in front of that disheveled graffiti tin-roof background and duct-taped microphone.
The Maui Taco is indeed a taco eatery, although I did not partake in any of their menu items. I can't eat before I perform. Well, I can, but I've found that my time before getting on stage is best spent looking over my tentative set list than umm. . . well, you understand what I'm getting at. No need to be rude. Let's just say I still get a bit anxious before I perform.
I brought a few friends along for moral support in case the place turned out to be some kind of scary dive bar. In high school I did attend open mics at such places, but never by myself and always with my two 30-something trench-coat wearing bitter yet endearing male comedian friends. And, especially in the city, I was determined not to make a go of it alone at this juncture. My mom makes sure to relay every story about young college girls being raped and mugged in late-night Manhattan.
When we got to the outside of the "venue" -and I use this term loosely - I was confused. It looked like an indie version of a Taco Bell. I kept apologizing profusely to my companions, warning them that this wasn't a regular show, open mics are usually sucky, and not to be alarmed. I promised them that I would do whatever it takes to make up to them this possible several hours of torture. As a comedian I am used to such drudgery, and once once goes to an open mic one realizes why many comics are so bitter and "tortured" and angry by the time they make it. Go to one on a Tuesday or Wednesday night, and stay the whole time no matter what. You're bound to ooze frustration. But it's part of paying your dues and any performer should never complain if they're getting an opportunity to step on a stage. But I still believe it's okay to realize that watching one unfriendly yet unfunny and uncleanly performer after another drunkenly swagger onto a stage that barely sits six inches high off of the floor is a pretty shitty way to spend a night. Getting your own five minutes during which other breathing human beings are forced to listen to your words is definitely worth it, however. I think in a later blog post I will get all "deep" about how weird it is to be alone in front of people with only your words to woo them and get them to like you. The performer is basically in control of the audience's lives for however long they stand up there. But back to the Maui Taco.
The host was drunk, 80% of the other comics were at least a couple drinks in, and the friends I brought were the only non-performers in the dank, dark basement dungeon of forced, uncomfortable laughter. I felt right at home. When I first moved to New York City I had been afraid to perform here, even at the no-pressure open mics. I imagined that everyone would be very cold and snooty and look down on me as a young know-nothing loser who doesn't know a tag from a call-back. So wrong I was. The open mics here are E X A C T L Y like they are in Albany. Awkard but kind of exciting, small audience, small stage. I think it must be universal. It's an interesting experience; everyone pretty much keeps to themselves and talks to whoever they came with. They sit at tables alone while scribbling and clandestinely peering around. There's always one or two comedians that will come over and introduce themselves, and it turns out to be just a passing greeting or something "clicks" and you end up having a really long exchange about your crazy families until the event commences.
Here's a few realy embarassing pictures of me and a couple of my best friends from high school at various open mics around the Capital Region:
I would have just posted a couple here, but Blogger is being a douche.
It's nice to connect with other people who have similar inner-workings of the mind; others who are not afraid to share things about themselves at the expense of being considered Odd in "normal" situations. The reality is, once you find someone like that to converse with, you're not weird at all. You fit right in. I kind of befriended this one young woman who used to go to NYU just like me, and she told me some of the darkest, disturbing details of her life and how she got into comedy. I shared some similar stories -although I'm not sure I topped her long family history of debauchery and drugs. Still, I've always felt that in order to be a really good performer, you have to have some kind of burning sense of redemption and miscellaneous yearning working for you. That moment was the first time in a while that I thought, "Wow, this is it. This is where I'm supposed to be. (Not specifically at the Maui Taco, I think I'm at least ready for the Alaskan Enchilada). This is probably the only place where I won't consistently get that 'awww you're kind of funny but really weird and take it a little too far' look." Just ask me about performing at the sonic boom that was Gould Plaza. And any recitation or group hang-out with new people I've ever attended.
I'm so grateful for my friends who came to support me, but there was a point when I felt them getting bored and creeped out by the excessive and aggressively not funny dick/boobie/vagina jokes. I don't really hear them anymore. Whenever there's someone who's having a difficult time onstage, it's best not to dwell on it and I always make sure to laugh heartily at anything they say that might have some kind of potential. What I actually really liked about this particular open mic was that if you had good material, you got laughs. I've been to way too many places where the comics just sit there stone-faced, even trying not to laugh, just because they're too absorbed in their own stuff.
I do believe that mis amigas gained something from the experience. Not only did we "fuse like a family," as any emotionally harrowing experience spent in a beer-stained basement that reeks of sour cream and old salsa (just listen to Colin Meloy and his musical account of male prostitutes), but I think they learned a bit about why I am the way I am. Most importantly, they learned never to eat nachos constructed with a Hawaiian flare.
Here's the video from that night. Thank you Katy for posting it! I look pretty terrible but I'm willing to blame it on the poor lighting choices made by the interior designer of that classy cellar of a room. No, I don't know why I did a jig in the middle of my set, either. It's a compliment that the camera shook a bit at some parts because it means at least Katy was laughing.
Remember, similar to the disclaimer I fed my friends, it was just an open mic. But it's still somethin'.
Thursday, September 4, 2008
How do I reach these KEEEEDS?!




Wednesday, September 3, 2008
My apologies.
Friday, August 29, 2008
OH MUH GAH OH MUH GAH
Wednesday, August 27, 2008
Back, but not in Black.

I haven’t been too consistent with this blog updating-thing, but I have a plethora of excuses and will be able to provide a very detailed and impressive list for anyone who may question me. This summer has been quite a ride, a lotta ups and downs, strikes and gutters; a lotta what-have-you’s. I’m finishing out the season with three funerals, lots of rain, a couple concerts, and some hearty life experience. I stole a TV, did some more time, but now I’m back in school! And though the faces may have changed, the hassles are just the same.
Before I delve into a lovely anecdote that ends as a life lesson, I would just like to bring something to your attention first. Yesterday my best friend and roommate Michelle and I were walking up Third Avenue to Coral, another one of NYU’s dorms. We were going to visit our friends Mallory and Katy, for they had birthday presents and a delicious home-made chocolate cake waiting for my arrival. Michelle and I crossed the Bowery and entered a maze of scaffolding covered in posters. Usually the posters are for the same things over and over again, a Sonic Youth concert or a movie that’s already out, or some cryptic advertisement that only makes sense months later. So I usually ignore them. However, we made a left turn in the paper-covered steel maze, and I gasped.
“Ahhhhhhh!”
(I asked Michelle how she would describe my reaction, and she all said was: “You did your noise.”)
Remember my post about that “Songs of the Soul” tribute concert to Sri Chinmoy? You know, the guy who named Albany as the First Peace Capital? The concert that I still shudder when I think about, the one that made me bleed internally from uncomfortable muffled laughter?
It’s back. Again. Already.

When I saw the same flyer of Sri Chinmoy that I had been handed last spring, the one where he’s holding his holy instrument with his eyes rolled in the back of his head with yellow glowing all around him, I couldn’t contain myself. The only thing I could get out after “my noise” was,
OH MY GOD. OH MY GOD. IS THIS SERIOUS? OH MY GOD.
Usually I’m more articulate than that, but do you judge or criticize a Vietnam Vet for the things he cries out during his flashbacks? Regardless, I muttered out loud in disbelief while the other walkers became gawkers. The woman who had been traveling behind us stopped, looked at me, looked at the poster, and looked very confused. She had obviously no idea what chaos was being advertised right in front of her nosy nose and continued on her way to what I assume was Ben & Jerry’s – or The Continental.
Now, the line-up for the concert hasn’t changed, only this time Phillip Glass was not on the bill. He must have had the same reaction I thought he did, and had the smarts to get out of that sleepy-eyed CreepFest. Roberta “Batshit Crazy Drunk” Flack was still the headliner and I’m going to go ahead and believe that she still hasn’t taken off that blue sequined tragedy and that they rolled her into a bus, took it to the depot only to wake her up the evening of the next concert. Then they would immediately hand her a flask of whiskey, give her a nudge and say “Get out there, girl!” The concert is not on NYU soil anymore, but at a smaller venue, a Presbyterian church. How this all makes sense I just don’t know. I thought tribute concerts were only once a year. Did they go on tour? Was the tour so short that they’re already back where they started? In my mind, I see Roberta Flack leading the group into small cities in her pumps, holding up her middle school baton in the air, with the rest of the show sauntering in formation behind her with their Stepford Wives smiles and matching robes, each holding one of the 15 million bird drawings. I can also imagine a legion of Midwest housewives with brooms shooing them out of their towns and towards the hills, state after state.
Poor Sri Chinmoy. No man deserves to have this as his legacy, no matter how absurd it is to spend an entire lifetime scribbling birds and writing songs such as:
ICANLIFTTWOHUNDREDANDFORTYPOUNDS.
ICANLIFTTWOHUNDREDANDFORTYPOUNDS
ICANLIFTTWOHUNDREDANDFORTYPOUNDS
ICANLIFTTWOHUNDREDANDFORTYPOUNDS
ICANLIFTTWOHUNDREDANDFORTYPOUNDS
