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Watch him turn the interview around, insult Jerry Lewis, and be generally and pudgily adorabe.
Pretty heavy, I know. But I'm watching The Darjeeling Limited right now, as a reward for my busy weekend and pounding out a five-page education paper about topics I've previously discussed right here on this blog. Within less than 24 hours I went to dinner with my friend and her father, saw a Broadway play, went backstage, went to a party, went on my first Seaport Museum training sail, attended the PhiloStream Planetarium event, and gave a speech at the second annual Broome Street Residential College Convocation. I'm. . . pooped.
I must say that the soundtrack for DL is probably my favorite movie soundtrack to date. In fact, it's the first soundtrack I've purchased since Clueless came out. I'm not afraid to admit that Clueless still might be in my top 10 favorite movies of all time and I'm even less afraid to admit - perhaps even a bit proud - that I can recite most of the dialogue unprovoked. I'm also still a bit depressed to find out with every viewing that my "man Christian is a cake-boy."
I chose this particular lyric from "Strangers" by The Kinks because it proves to be a bit ominous, and I think the topics discussed in the following paragraphs are, too. For my Conversations of the West class I am required to read a few books of the Old Testament. Tonight I dove deep into Genesis and discovered a thought lodged deep in my brain that I had never found before.
We all know the story of Noah and his ark. Here’s the abridged “Leave Your Keys in the Bowl Version” if you’re a little fuzzy:
God thinks that the world has gone to shit. The humans are stinking up the earth. God decided to drown everyone except Noah and his family. He also makes Noah round up some of every "crawling thing" that roams the land so they can procreate after the whole ordeal is over. God, in the parlance of our time, "makes it rain" for 40 days and nights, killing every living thing except those in the ark. Then, the rain stops and Noah and his family and all the animals have a big orgy and repopulate the earth.
God never touches the sea creatures. In fact, he gives them more living space. I know that the humans were the problem, but perhaps the sea creatures have something to do with evil coming back to the earth. Maybe they influenced us to be bad again, after we had just undergone a horrible, horrible punishment - mass drowning. While God was busy with all the land animals, the sea creatures were deviously rubbing their fins together, plotting their evil plans to corrupt humans. We do eat them, after all. Maybe the sea is full of mysterious evil or some other kind of even more powerful force and that's why humans are so fascinated by it. The sea has such a strange and sublime hold on humanity, and no one can quite put their flipper on it.
Also, have you seen these creepy-ass satanic-looking creatures:
I will admit, though, that some of these odd little guys are kinda cute (but then again, I've always been known to love the weird, uncanny type):
What exactly is a Maui Taco? I'm still not sure. All I know is that the place that makes them has a basement wtih a stage and a weekly gathering of New York City's unsightly's - including myself. For that one week, at least. Perhaps more in the future, but I'm still recovering from my first experience in front of that disheveled graffiti tin-roof background and duct-taped microphone.
The Maui Taco is indeed a taco eatery, although I did not partake in any of their menu items. I can't eat before I perform. Well, I can, but I've found that my time before getting on stage is best spent looking over my tentative set list than umm. . . well, you understand what I'm getting at. No need to be rude. Let's just say I still get a bit anxious before I perform.
I brought a few friends along for moral support in case the place turned out to be some kind of scary dive bar. In high school I did attend open mics at such places, but never by myself and always with my two 30-something trench-coat wearing bitter yet endearing male comedian friends. And, especially in the city, I was determined not to make a go of it alone at this juncture. My mom makes sure to relay every story about young college girls being raped and mugged in late-night Manhattan.
When we got to the outside of the "venue" -and I use this term loosely - I was confused. It looked like an indie version of a Taco Bell. I kept apologizing profusely to my companions, warning them that this wasn't a regular show, open mics are usually sucky, and not to be alarmed. I promised them that I would do whatever it takes to make up to them this possible several hours of torture. As a comedian I am used to such drudgery, and once once goes to an open mic one realizes why many comics are so bitter and "tortured" and angry by the time they make it. Go to one on a Tuesday or Wednesday night, and stay the whole time no matter what. You're bound to ooze frustration. But it's part of paying your dues and any performer should never complain if they're getting an opportunity to step on a stage. But I still believe it's okay to realize that watching one unfriendly yet unfunny and uncleanly performer after another drunkenly swagger onto a stage that barely sits six inches high off of the floor is a pretty shitty way to spend a night. Getting your own five minutes during which other breathing human beings are forced to listen to your words is definitely worth it, however. I think in a later blog post I will get all "deep" about how weird it is to be alone in front of people with only your words to woo them and get them to like you. The performer is basically in control of the audience's lives for however long they stand up there. But back to the Maui Taco.
The host was drunk, 80% of the other comics were at least a couple drinks in, and the friends I brought were the only non-performers in the dank, dark basement dungeon of forced, uncomfortable laughter. I felt right at home. When I first moved to New York City I had been afraid to perform here, even at the no-pressure open mics. I imagined that everyone would be very cold and snooty and look down on me as a young know-nothing loser who doesn't know a tag from a call-back. So wrong I was. The open mics here are E X A C T L Y like they are in Albany. Awkard but kind of exciting, small audience, small stage. I think it must be universal. It's an interesting experience; everyone pretty much keeps to themselves and talks to whoever they came with. They sit at tables alone while scribbling and clandestinely peering around. There's always one or two comedians that will come over and introduce themselves, and it turns out to be just a passing greeting or something "clicks" and you end up having a really long exchange about your crazy families until the event commences.
Here's a few realy embarassing pictures of me and a couple of my best friends from high school at various open mics around the Capital Region:
I would have just posted a couple here, but Blogger is being a douche.
It's nice to connect with other people who have similar inner-workings of the mind; others who are not afraid to share things about themselves at the expense of being considered Odd in "normal" situations. The reality is, once you find someone like that to converse with, you're not weird at all. You fit right in. I kind of befriended this one young woman who used to go to NYU just like me, and she told me some of the darkest, disturbing details of her life and how she got into comedy. I shared some similar stories -although I'm not sure I topped her long family history of debauchery and drugs. Still, I've always felt that in order to be a really good performer, you have to have some kind of burning sense of redemption and miscellaneous yearning working for you. That moment was the first time in a while that I thought, "Wow, this is it. This is where I'm supposed to be. (Not specifically at the Maui Taco, I think I'm at least ready for the Alaskan Enchilada). This is probably the only place where I won't consistently get that 'awww you're kind of funny but really weird and take it a little too far' look." Just ask me about performing at the sonic boom that was Gould Plaza. And any recitation or group hang-out with new people I've ever attended.
I'm so grateful for my friends who came to support me, but there was a point when I felt them getting bored and creeped out by the excessive and aggressively not funny dick/boobie/vagina jokes. I don't really hear them anymore. Whenever there's someone who's having a difficult time onstage, it's best not to dwell on it and I always make sure to laugh heartily at anything they say that might have some kind of potential. What I actually really liked about this particular open mic was that if you had good material, you got laughs. I've been to way too many places where the comics just sit there stone-faced, even trying not to laugh, just because they're too absorbed in their own stuff.
I do believe that mis amigas gained something from the experience. Not only did we "fuse like a family," as any emotionally harrowing experience spent in a beer-stained basement that reeks of sour cream and old salsa (just listen to Colin Meloy and his musical account of male prostitutes), but I think they learned a bit about why I am the way I am. Most importantly, they learned never to eat nachos constructed with a Hawaiian flare.
Here's the video from that night. Thank you Katy for posting it! I look pretty terrible but I'm willing to blame it on the poor lighting choices made by the interior designer of that classy cellar of a room. No, I don't know why I did a jig in the middle of my set, either. It's a compliment that the camera shook a bit at some parts because it means at least Katy was laughing.
Remember, similar to the disclaimer I fed my friends, it was just an open mic. But it's still somethin'.
*Note: I'm not saying all old people are mean, just a large portion of them. I'm sure you have an "adorable grampy" or something and I'm more than happy for you.
I received some pretty terrible news today. My comedy godfather, mentor, and role-model, Mike Irwin, passed away today around noon. Mike had been battling Stage IV bone cancer for a few months, eventually contracting a staph infection among a myriad of other complications. If there ever was a guy who deserved to be ridiculously famous and live for billions of years, it would be him. I could try to be eloquent and try to come up with some grand metaphor about the circle of life and blah blah blah, but that just doesn't fit. The only thing I can say that feels right is:
This completely sucks.
There's no way around it. Fuck the universe, as my very insightful friend Brian Peek would say. And he always seems to be right.
If it weren't for Mike Irwin, I wouldn't have ever had the opportunity to pursue comedy. The summer after my freshman year of high school was a restless time. Even though I was barely fourteen, I felt a restlessness inside that wouldn't stop. My family had been in a sort of disrepair for reasons all two of you readers already know and I had just experienced the first year where I could actually notice a bit of social separation between my peers and I. I had been following comedy and various comedians since the time I had fully grasped language, and one night at a Fresno's restaurant while dining with my sister and brother-in-law something clicked.
"I think I could do stand-up comedy. Why not? So many ridiculous things have happened to me that it seems like something I have to do."
My brother-in-law was especially encouraging, but at the time I didn't think either of them were really taking me seriously. I went home and left them a voicemail at their apartment:
"I'm really serious about this. I'm going to do it. I'm going to. I have to. I'm serious."
The rest of the summer was spent e-mailing comedians and researching classes and clubs. The whole process was actually quite a success, and I caught a few comedians when they were stll answering their own e-mails. My favorites, of course, were from a one Mr. Galifianakis and I had an oddly lenghty correspondence with Jay Mohr who told me to "sin bravely."
Towards the end of the summer, I found the website for our local comedy club, The Comedy Works, which was then located at a Quality Inn in Glenmont. Mike Irwin was offering stand-up comedy classes there and I immediately e-mailed him my situation, about how I was a youngin' but I knew that this was something I was very passionate about. He was quick to respond and said he would check about things, making no promises but said: "If you really want to do comedy, you'll find a way."
I e-mailed the owner of the club to see what he had to say, and I later found out that he had suspected I might be a police officer posing as a little girl to conduct some kind of sting operation. So, like all kids do, I had my mom call. And then Mike Irwin got back to me with good news: the only thing I had to do was send in a permission slip, which I did right away. I was warned that there would be "adult content" and was instructed to prepare 2-3 minutes for the first night of class.
At the time, I was the goalie for my school's JV soccer team and went directly from practices and games right to class. Sweat, adrenaline, and all. I was so nervous before my first class, but as soon as I met everyone my large intestine sensed there was nothing to fear.
Mike did not treat me any different than the rest of the class, although the next youngest person after me was around 20. No one watched their language, watered their material down, or made me feel awkward about being there. It was from Mike I learned about stage presence, the basic joke forms, how to memorize sets, and how squeeze the most out of every single minute on stage. He taught us his "5 Rules of Comedy," which have always rung true. Comedy is almost impossible to pigeon-hole into various equations and explanations and organizations, but somehow Mike did it. Every week we were given assignments and writing exercises, many of which I still use today. One of my favorite assignments was when we had to make a list of things that were orange. By far, the best answer came from my pal Don: "Bougars mixed with blood!" I remember choking on my water from chortling. It's the best kind of pain there is.
The most valuable things I gained from the class were my "older comedian friends" and my relationship with Mike. Every teenage girl should have them, and they're the only reason I wish I could go back to high school, so I could spend time with them on a regular basis again.
Every week we each had to perform on stage for 2-3 minutes and even if we sucked, Mike would make sure to find something positive about what we did. But he wasn't afraid to tell us what didn't go so well. Sure, many comedians may end up bitter and jaded, but Mike knew that it didn't have to be that way - and that we weren't going to succeed if it happened to us. Later that year I took an improv class with him and some of my friends, and he opened up that world for me as well. He could have just said, "Go away, kid, get outta here. Come back when you're not a fetus." But he didn't. Honestly, I probably would have given up my quest. Without his belief in me and my potential, I think I'd have hung back more in my life. I don't think I would have pushed myself or accomplished anything near what I have. His instruction and faith gave me the confidence and tools to make the best of my situation that I desperately needed at that particular point in my life.
I don't think I have ever seen Mike get angry or badmouth another comedian. When I think of all the god-awful comedians (famous and not), managers, and Biz people he's had to deal with, that fact truly amazes me. It seems that no one ever got the best of him, and he was always ready to do favors.
When I started performing more, opening shows and going to open mics, he was always there when I had questions. He seemed to be watching proudly as I kept at it, and whenever I perform I perform as if he were there, because I know that's when I do my best.
Last summer I had the pleasure of doing a guest spot when he was headlining at The Comedy Works, which is now located on the corner of State & Eagle Streets in Albany. I got to hang out with him, his wife, and his son - and my friend - Carter. It was one of the best nights of that summer. Of course I had seen Mike perform, but not for a while. I've always admired how he never stopped writing and always had new bits. What sticks out in my mind about his performances, however, was the pure, unadulterated glee that you could tell filled him whenever he was behind a microphone. His smile and manly giggle were enough to make me smile and -yes, perhaps a bit masculinely - giggle.
Like many comics, he took his life's struggles as fodder for entertainment. But there was something twisted and sharp and endearing about his cadence and writing that never got boring. He was the kind of guy who wanted to win the lottery just for the interview. He wondered why the winners always want to buy a car when there's so much that can be done. Mike knew just what he would do: create a jell-o shortage. The man was a genius.
Of course, I saved my favorite joke of his for last. He used to talk about how one of his relatives had been on the wrong side of World War II, and the only picture they had was of him in his uniform. So whenever people would come over to his family's house, everyone would see all the normal, lovely pictures of the family. . .
"and then some fuckin' Nazi."
"Oh, who's that?"
"Umm...that's just Gramps. He was really into the theater."
Mike, all us comics miss you.
What will I do with my free time, you ask? Oh, the usual. Bowl, drive around, the occasional acid flashback. Maybe a yoga class. Hopefully I'll get back on the arduous Upstate NY Comedy Circuit. I think my lack of personal productivity is contributing mercillessly to recent stresses and upheavals. That must be changed!
But it's not what you think: "We were outside on the playground. I was just standing there. Two kids came up to me joking like aahhh I'm gonna get you or something like that, and one was hugging my leg. And that one became the humper." A three-year-old boy humped her leg, which brings about two questions that I would like answered, no matter how prudish you readers may be, and because I know you two readers, you have no excuse. Here are the hard-hitting questions:
1) Does that action even feel "good" and "special" at that age?
2) Should Steph stop taking the kid to Chuck E. Cheese every Friday night to "play" with him in the ball pit?
On Tueday a friend and I purchased cheesy gordita crunches before our last night of exam scoring. It took forever as usual, but it was also worth it... as usual. As we stepped out of the car to go inside, we noticed that two infants were sleeping in their carriers in the back of a sedan next to us, with only one of the back windows open. At the very worst we hoped the parent was just running in to use the bathroom or to get something quick. Not that this would be acceptable, but it's better than what we ended up witnessing.
After we had waited 15 minutes for our tasty helpings of tortilla, beef, cheese, and vegetables in various combinations, we made our way back to the car to speed off. Following us out the door was a young couple in their late twenties. They sauntered over to the sedan with large fountain drinks in hand. They got in the car. They drove away slowly.
This winning boyfriend and girlfriend duo (no rings) had ordered a meal and ate it inside while their infants slept in the oppressive car heat. If everything we do is an argument, this one's a doozy. Their actions argued that eating inside Taco Bell is of more value to them than the comfort and well-being of their TWO babies. What disgusts me is the fact that they value eating inside the Taco Bell establishment at all. It's sticky, badly lit, uncomfortable and - worst of all - plays the "number one hit music station" of the Capital Region. I would rather eat in oppressive car heat with screaming infants surrounding me. Couldn't one of them have gone inside to get the food? Then they could have gone home and ate together as a family, fighting over the television remote and who was going to get the last cinnamon dessert twist.
Discuss.
A few days ago my friend Jackie and I dined at the Macaroni Grill and we had an excellent dinner for a chain restaurant. At the Mac Grill they have paper tablecloths and the servers write their names on it upside down in an act of friendliness. Like a party trick to break the ice. They leave the crayons on the table, and for some reason at tables with only adults at them the crayons are left undisturbed. It's okay for children to amuse themselves while they wait for sustinence but adults have been conditioned to sit quietly and make inane small talk until they glance their meals coming to the table from the corner of their eye.
"Yeah, yes. . . it's uhh terrible that they uhh in the news I saw ummm. . . Oh, here's the food!"
Fun and colors and art and doodles are nothing to be ashamed of. Jackie and I had a grand old time drawing cartoon cows and stars and writing our names and playing games and it really took the edge off our hunger. We discussed that a trip to an establishment like the M. Grill would be a great place for dinner in the early stages of dating. I'm not saying I endorse testing those you date and I'm not saying I ever have, but I think we've got something here. Does your date even notice the crayons? What color does he/she choose first? What kinds of pictures or words do they draw? Do they press hard or shade lightly? These answers could serve as an intriguing litmus test of personality.
I - pretty obviously - would enjoy someone who draws and doodles furiously without hesitation. Preferably elaborate stick figures or other amusing illustrations. No mundane boxes, please.
Speaking of a a dislike for the mundane, I'm not so much excited for my actual birthday weekend as much as the two weekends that follow. Although I've planned this weekend chock full of karaoke, parties, and Cranium, I'll still be in waiting. For next weekend one of my best friends, whom I admiringly refer to as just "Givney" is having me up to her camp on Lake Champlain.
Many a good time and life lessons have happened up at that there beach. Her family and I get along well. I'm pretty sure, after attempting water-skiing, that one of her uncles wiped the snot from my nose. We've bonded. I think everything was solidified after one enchanting occasion.
Givney and I were sitting in the camper enjoying refreshing beverages. This day I was partaking in Mountain Dew: Code Red, as when I was younger I used to consume it every day of my life. Just as I was taking a sip, Givney's father walked in the room from his shower with a silky royal blue Hawaiian shirt bearing an eye-catching pattern.
Givney brightly remarked, "Wow, Father, don't you look dapper today!"
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